Author Jasleen A. has announced her debut into the political fantasy genre with the series 'Nothing Sacred Remains.' The series is set within rigid political orders where power is hereditary and fiercely protected, following characters shaped by regime, loyalty, and a hunger for control. Themes of love, ambition, and belief collide as authority tightens and dissent becomes dangerous.
Each volume in the series is set in a distinct historical period, allowing for an exploration of the same core themes across different eras. This structural approach aims to examine how dynamics of power and resistance manifest throughout history. The author's professional background informs this ambitious project.
Jasleen A. is an Indian writer who works across literature, policy, and film. A Rhodes Scholar pre-finalist, she is the author of a book recognized by the Prudential Community Spirit Awards. Her screenwriting has received recognition at major festivals including the Bengaluru International Short Film Festival, Jaipur International Film Festival, Venice Shorts, Sweden Film Awards, Replay International Film Festival, and Couch Film Festival.
Professionally, she has worked as a management consultant with global firms like McKinsey and L.E.K., advising on public policy and institutional strategy. This experience in analyzing power structures and governance directly influences 'Nothing Sacred Remains.' The series represents a synthesis of her interests in power, ideology, and the human cost imposed by political systems.
The entry of an author with a substantive policy background into political fantasy is significant for the genre. It suggests a potential shift toward narratives grounded in realistic understandings of institutional behavior and strategy, moving beyond purely allegorical treatments. For readers, this could mean fantasy that engages more critically with the mechanics of power, loyalty, and dissent.
For the publishing industry, this development highlights the value of authors with diverse professional expertise, particularly in genres like political fantasy that benefit from nuanced portrayals of governance and conflict. The series' premise, exploring the same themes across different historical settings, also offers a unique structural hook that could appeal to readers interested in comparative political thought.
The announcement matters because it represents a convergence of serious policy analysis with speculative fiction, potentially enriching the political fantasy landscape with more textured and informed world-building. The human cost of political order, a central theme for Jasleen A., remains a critically relevant subject for exploration through fiction.
